Recently, everyone and their grandmother are trying to place steampunk in the grander scope of things. Most of pop culture has poked at it at this point. Many in the SF/F community gives the subculture a passing nod (or are slowly edging away, since, being early adapters by nature, quite a few in sci-fi are tired of it already).
Still, questions about steampunk have set people in pursuit of the deeper meanings behind the aesthetic movement. Two years ago, Intel’s futurist Brian David Johnson wanted to answer the biggest one about steampunk’s rise: “Why now?” He was joined by a cultural historian James Carrott and they filmed a documentary, which permutated into a book by the same name: Vintage Tomorrows (or two books, actually. Steampunking Our Future: An Embedded Historian’s Notebook is the free e-book companion you can get online).
I had the pleasure of meeting them at NYCC a couple of years ago to hear their idea first-hand: steampunk has the potential to be a counterculture. I’m actually on the fence about this (surprised, right?). Because, as much as I love the subculture, radical change isn’t a given to participate. Lo and behold, however, when a copy handed on my desk awhile back, I gave their research a gander.