Rhyme meets Reason in Miranda, the Steampunk Murder Mystery Opera

Note: Here is my review for Tor.com about Miranda.

Photo credit: Christopher Lovenguth

In our round-up for steampunk events in January, the description for the theater production Miranda was certain intriguing to me. Murder mysteries are always fun, but a steampunk murder mystery? That’s an opera? Where all of the actors play their own instruments? Some criticize steampunk style as being too cluttered for its own good; Miranda sounded very much like an overwrought outfit, tooled too elaborately to satisfy. And yet, all of these elements drew me to the HERE theater space in NYC to watch last Friday’s show. Frankly, Miranda managed to take all of the aspects of what steampunk is – thematically, aesthetically, and even, dare I say it, musically – and combine it to create a compelling smash powerhouse of a show.

[Welcome to jury duty for the New Federation of Northern States - Read the Rest on Tor.com]

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#102 Staging a Steampunk Dystopia: An Interview with Kamala Sankaram and Rob Reese

Photo Credit: Christopher Lovenguth

Besides all of the steampunk’d renditions of Shakespeare plays and Gilbert & Sullivan musicals, how can steampunk work onstage? Recently, I stopped by the HERE theater to see one innovative example in the form of Miranda, a steampunk murder mystery opera. Tor.com will be posting my review of the show (EDIT: Here it is); sadly, the show is only running in NYC until Saturday the 21st, so I encourage anyone who has the opportunity to see this show to book their tickets ASAP. In the meantime, I took the wonderful opportunity of interviewing the creator, composer and co-librettist Kamala Sankaram and her fellow co-librettist and director Rob Reese about their inspiration behind this unique production.

After the jump, we’ll talk about steampunk dystopias, legal circuses, and the role of people of color in steampunk world-building.

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#101 “Afro-Celtic Post-Roman, Icepunk Regency Novel”: A Review of Kate Elliot’s COLD MAGIC — Guest Blog by Maeve Alpin

You may be familiar with Kate Elliot’s previous books, the Crossroads Trilogy, The Crown of Stars septology, the Novels of the Jaran, and The Golden Key, her collaboration with Melanie Rawn and Jennifer Roberson. Cold Magic, an adventurous multicultural steampunk novel is just as marvelous.

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#100 On Madam Tinubu – Guest Blog by Eccentric Yoruba

Note: This essay is cross-posted with permission from Eccentric Yoruba.

Madam Efunroye Tinubu was among the most prominent and powerful Yoruba women in pre-colonial Nigeria (early to mid 19th century). Other renowned Yoruba women from that period were Iyalode Efunsetan Aniwura and Madam Omosa, both of whom deserve posts of their own.

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Interview with Steampunk Chile–By M Gabriel Colbaugh

Steampunk is a global phenomenon.  One place where it has taken root is South America where the movement is growing quickly.  I reached out to some groups to see if they’d be willing to talk about themselves, and thankfully the fine folks at Steampunk Chile agreed.  Below are their answers to my questions as well as several amazing photographs by Cesar Ravello from their Steampunk Chile Encounter IV.

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New & Upcoming Conventions: TempleCon, PCA/ACA National, Octopodicon

Announcing some new and regular conventions I’ll be attending in the coming months, including some post-apoc fun in Rhode Island, my first-ever, red-blooded academic conference, and a future trip to Oklahoma this fall.

Click after the jump for more details!

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Happy New Year from Beyond Victoriana

Illustration by Paul Sizer. Click for link.

Best wishes for 2012, everyone — here’s to working for better artistic & imaginative possibilities in the year to come!

Thanks go out to artist Paul Sizer for permission to post his amazing art. His wife Jane Irwin is also the creator behind the online graphic novel Clockwork Game, about a chess-playing automaton in the 18th and 19th centuries. Both are worth checking out. ^_^

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#99 On Jewish Folklore in Steampunk: A Review of Steampunk Torah and Merkabah Rider — Guest Blog by Rachel Landau

"Beis Midrash" by Boris Dubrov. Click for source.

“Hey, did you know giraffes are kosher?”

This made worldwide news in 2008, when a rabbi certified that giraffe milk was indeed kosher. The giraffe chews its cud and has split hooves, and its milk curdles.

Thus: kosher! How wacky of those Jews!

But this wasn’t news to me: I learned this in the third grade, along with the other rules of kashrut and shechita. We don’t eat giraffes, of course, not just because they’re endangered, but because according to Jewish law, you need to slice the arteries at a certain point, so that the blood drains most quickly and the animal dies without prolonged suffering. We know where that place is on a cow, but we’re not sure where that would be on a giraffe. So giraffes are off the menu – but they’re on the approved list.

To me, this story exemplifies much of Jewish law and modern Judaism. With a few basic axioms – just like Euclid’s – you can build a logical framework that supports any question you might have. Accept that G-d exists, and that He gave the Torah to us, and then hundreds of logical implications follow. This is the logical Judaism, the way we make sense of four thousand years of heritage and dense books and missing links. And it does make sense, one law leading to another, one interpretation and one rabbi at a time.

One of the main sources of the interpretation is the Midrash, a collection of interpretations, stories, and parables that explain the text of the Torah.

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Secular & Religious: Christmas Images Around the World

Not steampunk at all, but definitely an interesting take on our globalizing world. Christmas, treated as a secular and a religious holiday, has impacted cultures both Western and non-Western in a myriad of ways. The Boston Globe recently posted a photo set of how Christmas is celebrated worldwide; here are some notable images below.

Christian pilgrims pray in the Church of the Nativity, the site revered as the birthplace of Jesus Christ, in the West Bank town of Bethlehem, on Christmas Eve December 24, 2010. (REUTERS/Darren Whiteside)

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Steampunk Emma Goldman Featured in the New York Times

Friend of the blog, Miriam Rocek, aka Steampunk Emma Goldman recently was interviewed by a local New York Times correspondent for a documentary about America’s most famous anarchist and her old haunts in the East Village. I’m thrilled to see how steampunk is gaining some well-deserved recognition for its political potential. Watch the video below and read the accompanying article.

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