The most fantastical aspect of A Country of Ghosts is how it’s an earnest tale about an alternative society when dystopias fill today’s bookshelves. Full disclosure here:the author has written for Tor.com, and I did hold interest in reading his book once he described it to me as an “anarchist utopia.”
With that seed in mind, I couldn’t help but view A Country of Ghosts as the latest in a long tradition of utopian novels, starting with Thomas More’s as the most well-known early example (and a fantastic open source annotated edition can be read here).
Of course, utopias and speculative fiction go hand in hand. In the 19thcentury, Charlotte Perkins Gilman’s Herland envisioned a society of women. Alexander Bogdanov wrote about communist utopia on Mars in his 1908 book Red Star. Later utopian novels include Ursula K. Le Guin’s take on anarchism in The Dispossessed, Arthur C. Clark’s peaceful alien invasion inChildhood’s End, Aldous Huxley’s utopian counterpart to Brave New World in Island, and the fulfillment of the radical movements of the 1960s in Marge Piercy’s Woman on the Edge of Time, along with many others.
In A Country of Ghosts a regional collective known as Hron (they’re only kinda, sorta a country) fights against a colonial empire, and Killjoy’s mix of politics and storytelling is at times intellectually engaging and at times winsome, though it’s also a curiosity to behold in the field today.
Read the rest of the review here: [“The rules don’t really matter. It’s the spirit that matters, I think.”]
Image Courtesy of the Back-up Ribbon Project
“So I heard that you won Tumblr,” a coworker joked with me the other day.
He was referring to the maelstrom of activity that was triggered when I posted about my con harassment experience at New York Comic Con by the film crew of the YouTube web series Man Banter, hosted by Mike Babchik. I won’t reiterate everything that happened, but kept pretty good documentation. Other industry professionals and geek news sources had done the same, too. There is a petition out, created by the activist group 18 Million Rising in order to hold Babchik’s employer, Sirius XM Radio, accountable for his actions since Babchik had gotten into the convention using his job credentials. Since the incident happened, New York Comic Con had assured that they will tighten their safety policies, and I even had a nice wrap-up interview about making convention spaces safer with NYCC show manager Lance Fensterman.
Okay, that ugly event got all wrapped up with a nice li’l bow of resolution; we can leave this in the fandom corner until the next big misogynistic thing that happens to women at conventions hits the fan (but oh wait, it just did as I typed this). At this moment, I feel like I can voice something that I’ve been holding in this whole time: I am lucky. And it shouldn’t have to be that way.
Running from one convention and diving headfirst into the next — that seems to be how my fall season is. I’m sorry about the flurry of “announcement” posts as of late, but at least you know that there are opportunities to see what I do “offline” as well as on the interwebz.
For those of you planning to go to New York Comic Con on October 10 – 13th, I shall be attending all four days, and am thrilled to be moderating a trio of panels featuring some very wonderful and talented folk. So, check out my schedule after the jump!
A well-placed ampersand can imply many things: a fighting duo, a complimentary pair, or polarizing opposites. In the case of Boxers & Saints, the members of the Boxer Rebellion and their opponents, Westerners and Chinese Christians, retain all three elements in their interactions.
What is engrossing about this graphic novel diptych—the newest work from Gene Luen Yang of American-Born Chinese fame—is how intertwined the stories are, literally and thematically. This dynamic is presented in its bold and eye-catching box design. On one side, the aggressively commanding ghost of Ch’in Shin-Huang, the first emperor of China. On the other, the grim glowing figure of martyr Joan of Arc. Split between them are two young, wide-eyed faces of Little Bao and Vibiana. They stare out at the reader, serious and uncertain. Their expressions symbolize the heart of Boxers & Saints: a story that unpacks the anxieties of an unstable nation, and unflinchingly portrays the people who become swept up by the winds of history.
[Read the review on Tor.com]
Recently, everyone and their grandmother are trying to place steampunk in the grander scope of things. Most of pop culture has poked at it at this point. Many in the SF/F community gives the subculture a passing nod (or are slowly edging away, since, being early adapters by nature, quite a few in sci-fi are tired of it already).
Still, questions about steampunk have set people in pursuit of the deeper meanings behind the aesthetic movement. Two years ago, Intel’s futurist Brian David Johnson wanted to answer the biggest one about steampunk’s rise: “Why now?” He was joined by a cultural historian James Carrott and they filmed a documentary, which permutated into a book by the same name: Vintage Tomorrows (or two books, actually. Steampunking Our Future: An Embedded Historian’s Notebook is the free e-book companion you can get online).
I had the pleasure of meeting them at NYCC a couple of years ago to hear their idea first-hand: steampunk has the potential to be a counterculture. I’m actually on the fence about this (surprised, right?). Because, as much as I love the subculture, radical change isn’t a given to participate. Lo and behold, however, when a copy handed on my desk awhile back, I gave their research a gander.
[How to fall in love with a subculture in 10 easy steps -- Read the rest of Tor.com]
2013 is the year to get ready for some pseudo-time-travelling, what-if wanderings, and speculative festivities of the dapper variety. I have a list of 39 steampunk and steam-friendly conventions and one-day events from around the world, gathered with help from Kevin Steil, the Airship Ambassador.
Since new steampunk cons spring out of the gearwork every so often, if I had missed yours, please drop a comment (and email me about featuring it for my monthly steampunk events roundup).
All descriptions taken from the convention website or Facebook page.
[Read on Tor.com]
Okay, for those who know me, I’m very into non-western steampunk. And I enjoy kung fu comedies. A good steampunk film isn’t just pretty-looking with quirky tech, but addresses shifting social and cultural values in light of early industrialization and urbanization. A good kung fu flick has me cheering at the melodrama, holding my breath (or my abs or my head) in sympathy to whatever punches kicks or wall-breaking tumbles the characters go through. At New York Comic Con this past weekend, I attended the screening of Tai Chi Zero, which promised the best of both.
[Read "Finally a Chinese Steampunk Movie that Unquestionably Is Exactly That: Tai Chi Zero" on Tor.com]