Steampunk music comes in various interpretations and styles, from Rasputina’s lilting southern gothic to Sunday Driver’s Indian-infused world folk and Vernian Process’s melodic steamwave instrumentals. But few bands can embody steampunk’s post-modernist mix of eclectic, rip-roaring energy as the ladies and gentlemen that make up Emperor Norton’s Stationary Marching Band. Today being the Fourth of July, the US holiday marked by parades, parties, and fireworks, I thought it was only apt to feature some big, incendiary music on the blog, and ENSMB is as big as steampunk bands can get.
The band professes that their origins stemmed from esteemed eccentric Emperor Norton’s final deathbed revelation:
Before passing from this plane in 1880, Emperor Norton, I, revealed to his followers that he was no ordinary mortal man, but instead a manifestation of the absurd and unusual forces of the universe. He offered them the chance to follow him on his crusade to unsettle and disturb that which had become bland and banal. A grand parade ensued and continues on through time and space, bringing in its wake a glorious commotion that encourages all to join in the jubilation and make of this world what they will.
ENSMB is the progeny of this bizarre cavalcade. They dance at the edge of reason, sing the song of society’s fringe and drum out whatever din you are called to march to. Emperor Norton is not dead; he is waiting to be awakened in each of us.
Saxophonist and ringleader Handsome Chuck (the gent in the bowler and spiffin’ side-whiskers in the first row, right-hand side in the above picture) offered some insights into the workings of steampunk’s most mobile musical group.