April 7, 2013 · 12:00 pm
Shanghai, China, Jewish refugees in one of the “homes” established in Shanghai to house those who succeeded in escaping from Europe via East Asia in the 1940s. Photo courtesy of the Yad Vashem photo archive. Click for source.
German Jews did not immediately begin to put their emigration papers in order after Hitler came into power, or after the passing of the Nuremberg Laws, because as far as they were concerned they were fully assimilated Goethe reading, WWI fighting German citizens. They could not believe, and would not believe, that the country they loved would turn against them.
Hitler introduced his anti-Jewish legislation slowly over the course of the 1930’s, giving German Jewry time to rationalize each new piece; this especially held true for Jewish men, as they tended to work in traditionally Jewish occupations. Jewish women, however, through the regular contact with gentiles allowed to them by their place in the home sphere, became aware of the “social death” being imposed on them by Nazi legislation long before their husbands took notice.
In the wake of the mass arrests of Jewish men during Kristallnacht, it fell to these women to free their husbands—typically from Dachau. Nazi officials would not release men until their families provided proof that they would depart from Germany immediately upon their release. Thus, not only did women have to rescue their husbands, but they also had to navigate the emigration process by themselves. Due to the complex legal frameworks enacted by possible destination countries to keep Jewish refugees out, it was immensely difficult for Jews to secure visas out of Germany, and it became even more difficult when they were confronted with the massive exit tax Jews were forced to pay before leaving.
There was, however, one destination which had not put up legal roadblocks to fleeing Jews: Shanghai—this had more to do with the decentralized and highly colonized nature of Shanghai than it had to do with any sort of altruistic sentiment. While the Chinese government had the right to demand to see emigration papers before new arrivals would be allowed to enter Shanghai, this was seldom enforced. Thus, to get to Shanghai, all fleeing families needed were boat tickets. For this reason—in accordance with the necessity to present proof of emigration to Nazi officials before male family members would be released—Shanghai became the only option available to some of the families of incarcerated men.
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October 19, 2012 · 10:04 am
Okay, for those who know me, I’m very into non-western steampunk. And I enjoy kung fu comedies. A good steampunk film isn’t just pretty-looking with quirky tech, but addresses shifting social and cultural values in light of early industrialization and urbanization. A good kung fu flick has me cheering at the melodrama, holding my breath (or my abs or my head) in sympathy to whatever punches kicks or wall-breaking tumbles the characters go through. At New York Comic Con this past weekend, I attended the screening of Tai Chi Zero, which promised the best of both.
[Read “Finally a Chinese Steampunk Movie that Unquestionably Is Exactly That: Tai Chi Zero” on Tor.com]
September 21, 2012 · 12:00 pm
Steampunk Panda as the Imperial Sheriff
I have been aware of Steampunk for some time but it was not until the tail end of the summer of 2011 that I decided to take a closer look and learn more about Steampunk. As I delved into the culture I noticed how it was very Victorian, based in the 19th century British culture. That was understandable seeing how it was based off of many early literatures that were set in those areas. However, the world does not revolve around one geographical location or ethnic background for that matter, and while life progresses in one location it invariably continues on elsewhere.
So for Steampunk to be only Victorian or only British I found that rather stifling and ethnocentric, which from what I had started to learn of the subculture was not what it wanted to do, but rather be an inviting and accepting one. Perhaps it was the fact that people were uncertain of how to approach other ethnicities with the Steampunk culture without being offensive. Especially in a time period where racism was not only prevalent but well practiced.
Being new to Steampunk and wanting to take my own twist to it I looked at my own heritage of Chinese culture and doing some cursory research as to what was going on in China during the 19th century. It was the time of the Opium Wars, the Boxer Rebellion, and in America the railroads were being laid down by my ancestors. It was a time period I was somewhat familiar with albeit slightly romanticized and dramatized from all the Hong Kong and Chinese cinemas I watched growing up as a child. Still the clothes and some of the basics of the culture at the time were there.
James Ng’s Imperial Sheriff
As I researched further into Steampunk to find connections to Asian culture I looked to see if others had gone down this path before me. It would seem that for the most part when looking for Asian and Steampunk on the internet more often than not it was found that Asians were in a European/British style outfit or even perhaps a person wearing a kimono with a corset over it. This does not detract from the fact that even during that time period there were indeed many Asians who wore European/British stylings back then as Western culture was placing its influence over the native Asian culture. What it did was inspire me to find a way to express what it would have been like in Asia without the western influence.
It would be during my research that I would happen upon an artist who would be my catalyst and inspiration towards my goal of expressing a truly Asian themed Steampunk outfit. James Ng and his Imperial Steamworks series is truly awe inspiring and a solid foundation for which Asian Steampunk can develop from. It was the discovery of his work that allowed me to feel not alone in the ideas and concept of Asian Steampunk and legitimized for me this evolutionary path for it, and that I hope to see this path flourish by spreading it any way I could.
With his permission I took it upon myself to bring one of his creations to life, his Imperial Sheriff.
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January 28, 2011 · 12:00 am
Note: This is the final segment in a four-part series by Eccentric Yoruba about Ancient Africa & China, cross-posted with her permission. Also, check out parts 1, 2, and 3.
Zheng He’s 7th expedition was his last and after years of moving back and forth between the East African coast and China, all contact ceased. Some people may look at this and say that the Chinese turned their backs on Africa, but if you look at the situation within China in that time, it sheds more light on this situation.
In 1424, the Yongle Emperor died. His successor, the Hongxi Emperor (reigned 1424–1425), decided to curb the influence at court. Zheng He made one more voyage under the Xuande Emperor (reigned 1426–1435), but after that Chinese treasure ship fleets ended. Zheng He died during the treasure fleet’s last voyage.
…Chinese merchants continued to trade in Japan and southeast Asia, but Imperial officials gave up any plans to maintain a Chinese presence in the Indian Ocean and even destroyed most of the nautical charts that Zheng He had carefully prepared. The decommissioned treasure ships sat in harbors until they rotted away, and Chinese craftsmen forgot the technology of building such large vessels. (Source.)
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January 7, 2011 · 12:00 am
Note: This is the first in a four-part series by Eccentric Yoruba, cross-posted with her permission. Check out the rest of her Ancient Africa & China series appearing every Friday throughout this month.
“Comprehensive map of the Four Seas (Si Hai Zong Tu)”. A copy of an ancient Chinese explorer map that had survived to the 17th century and found in the 1730 book “Records of Sights and Sounds of Overseas States” (Haiguo Jianwen Lu) authored by Chen Lunjiong
Last year while I was researching for my dissertation, I came across a footnote that mentioned that the first Africans who reached ancient China (the particular period was not specified) were two slaves given as gifts to the Emperor by an envoy of Arab traders. I found myself wondering what happened to them, were the slaves male or female, were they killed immediately or did they go on to serve the Emperor, did they have children (it was possible!) etc.
It keeps on popping up, one or two sentences or a footnote that quickly says something about Africans in ancient China, whether in Peking or Canton but there is never enough information. To be honest I’d like to know more. If I could, I’d travel back in time just to see the daily lives of those Africans in ancient China. I’ve read that most of them were slaves of Arab traders and lived among the Arab settlements in Canton…things will become clearer from here on, I promise.
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