Tag Archives: film

#69 Period Film Review Princess Kaʻiulani–Guest Blog by Evangeline Holland

Note: This is cross-posted with permission from Edwardian Promenade.

Princess Kaiulani Movie

Released in 2009 (though with a fair share of controversy over the admittedly tasteless title, “Barbarian Princess”), with limited run last year and a DVD release in September, Princess Kaiulani is a gorgeously-shot tale of an unjustly forgotten figure in American history. Though the writing isn’t as nuanced as it could be, and there are many holes in the tale which require further reading after viewing the tale, for a movie which sheds light on a dark, yet fascinating period not often told outside of Hawaiian history, Princess Kaiulani is an excellent addition to the library of any history buff and period film aficionado. The film follows Princess Victoria Kaʻiulani Kalaninuiahilapalapa Kawekiu i Lunalilo Cleghorn (to give her full name) from shortly before her mother’s death to her own premature death at the age of 23. In between that regrettably short time span, we are shown the tenuous state of Hawaii’s royal family and its inhabitants.
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Steampunk Stylin’ & Dr. Grymm Featured on BBC America

One quick update: Amidst the rush in preparing for Nova Albion this weekend, I want to mention that the BBC America segment about steampunk had aired on Tuesday night as part of the BBC World News Hour. Readers may recall the Steampunk Stylin’ event I organized in connection with this; I worked with the lovely gent Andy Gallacher on this story to get him in touch with maker Dr. Grymm as well as letting him meet the awesome NYC steampunk community at The Way Station in Brooklyn.

This story, I think, really captures the fun, beauty, and positive vibes that I’ve encountered during my years being involved in the steampunk community, especially with the crews I run with both in New York and in New England. I’m especially proud that many of these wonderful people had a chance to come together for a night and show BBC how awesome American steampunks can be.

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#67 Reporting from AnachroCon!


AnachroCon, based in Atlanta, Georgia, is an alternative history convention that has been sympathetic to the steampunk cause. On its website, they describe themselves as an inclusive space where “home for Steampunks, Neo-Victorians, Retro-Futurists, Historical Re-enactors, Time Travelers, and general students of history, as well as those wishing to explore these areas.” This convention also has a decisively academic bent, though it certainly keeps ties between itself and several sci-fi conventions such as Dragon*Con, PhilCon, Chattacon and others.

Local steampunk and authoress Emilie P. Bush reports about her AnachroCon experiences as a panelist and attendee for this report. Austin Sirkin also returns and speaks a little bit about his role as Cultural Track Director for this convention and gives an on-staff viewpoint on how this year went. Moreover, the production company Persistence Multimedia presents some on-the-spot video reporting, featuring interviews with Emilie, Senior Con Director of Promotions Dan Carroll, Fabrication Director Paige Smith, propmaker Thomas Willeford of Brute Force Leather and several attendees about AnachroCon and the greater steampunk community.

Major kudos goes out for all of them for this extensive coverage!

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Beyond Victoriana Special Edition Odds & Ends #7

This weekend, I’m rockin’ it out at New York Comic Con.  I’m there mostly doing the Day Job thing, unfortunately (though, if I can, I might wear my steampunk for Sunday.)

For anyone who manages to recognize me in my civvies, though, you’ll probably end up being filmed or photographed, if you’re looking fabulous and want to flaunt it.

In the meantime, enjoy the linkspam below. This edition features lots of interesting essays, some awesome postcards, and a video of my interview with Cherie Priest.

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Beyond Victoriana Special Edition Odds & Ends #6

Work has been hectic as of late, and I’m also in the midst of preparing for Dragon*Con. I don’t have as much new stuff planned out for this week as I had hoped, but have you checked out my essay series about multiculturalism in steampunk yet? And see the links below for more good things to read/watch/run in the streets shouting about.

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Beyond Victoriana Special Edition Odds & Ends #5

This weekend I’ll be at ConnectiCon instigating havoc with my steampunk friends and helping out with several panels. On top of that, “Steam Around the World: Steampunk Beyond Victoriana” is making a comeback! I’m wicked excited to be presenting this panel again. For all attendees, feel free to stop in–

Saturday, July 10th
7:30 – 8:30 PM
Room Location: Check your schedules

And for those of you in the area, I will also be at the Steampunk Bizarre on Sunday for the steampunk meet-up. There should be some nifty artists presenting their work, so I hope to see some of you there too.

In the meantime, check out the collection of links for your viewing/reading pleasure.

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#5: The Wild, Wild East

A few weeks ago, Jha Goh wrote a post about whether steampunk Westerns could be considered non-Eurocentric, arguing that as long as the narrative is in the hands of the “neo-Europeans” aka, those people whose culture had derived from Europe, then these narratives are still “Eurocentric,” even if they take place outside of Europe.

Taking this into consideration, I’d argue that although Western narratives can be considered “Eurocentric,” the themes that are within the Western genre are non-Eurocentric and has evolved to become less Eurocentric. For this argument, I’ll examine Western filmmaking in particular, although other forms of Western genre exist in books, games, and other media.

The themes of Westerns include a focus on frontier lawlessness, the struggle for survival, vigilante justice, the struggle of good versus evil, the conflicts that occur during the process of industrialization, and the fight for independent living—these themes that have occurred in many places and times in history. Thus, the Western genre over time became co-opted by other filmmaking cultures which then created their own forms of “westerns.” Examples include Russian “Osterns,” which focused mainly on the Russian Civil War era after the Russian Revolution and took place in the steppes of Siberia and central Asia; interestingly enough, they are also Stalin’s favorite film genre (I consider Russia not a European, but a Eurasian country). Another is the recent Indian film Sholay that has been dubbed a “Curry Western.”

Moreover, as the Western genre evolved, its influences have drawn upon non-Eurocentric sources. One of the biggest ones upon the genre (and an influence for many other filmmakers in general) is Japanese cinema icon Akira Kurosawa and his samurai films. Kurosawa had a love for American westerns, which directly influenced several of his films. The Western motif is prominent in Seven Samurai, which, in turn, directly spawned The Magnificent Seven. Also, Kurosawa’s Yojimbo and the sequel Sanjuro with its “no name” protagonist influenced Sergio Leone’s A Fistful of Dollars and Last Man Standing, featuring Clint Eastwood’s “Man With No Name” character. There is even a listing dubbed “Kurosawa westerns” that feature several major films and their Kurosawa influences.

This cross-cultural cinematic relationship continues today. This week, I’ll review three “Asian westerns” that have come out in the past couple of years and examine how each film puts its own cultural spin on the traditional Westerns. And, of course, I think each one has its own potential for qualifying as Asian “Weird West.”

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