An illustration from Jack Wright and his Electric Stage; or, Leagued Against the James Boys published in 1893
It’s no secret that what we currently call “steampunk” has its roots in the speculative, imaginative fiction of the 19th century. People often cite Jules Verne as the founding author of the steampunk genre, but he was one of a number of authors who wrote fiction dealing with elaborate, futuristic technologies. During the 19th century, there was one man referred to as “the American Jules Verne,” whose works are full of quintessentially steampunk elements. There’s a steam-powered mechanical man, racing across the American plains, a bullet-proof, electrically powered 19th century stage-coach, hot in pursuit of the Jesse James Gang, not to mention an electrical flying machine. The stories revolve around a boy-genius inventor, and all of them are set, and were written, before 1896. The author’s identity was appropriately exciting to the imagination; he wrote under the intriguing pseudonym “Noname,” a mysterious, unknown presence, producing fantastic works at an astonishing rate, including twenty-six stories in 1893 alone.
Before there was television, before there were movie theaters, before there were comic books, there were dime novels. Called “penny dreadfuls” in England, these were cheaply printed, floridly written adventure stories, lurid, exciting, and intended for a popular audience. They were read by children and adults, men and women. They were working class entertainment, easily purchased, easily hidden from a schoolteacher or other disapproving authority figure, and easily devoured in a single day. They ranged from romances to detective stories, from horror to western, covering every genre that might appeal to readers eager for excitement. The works of Noname were wildly successful dime novels, telling stories of adventurers and inventors.
What is interesting about Noname, apart from the stories he created, is that he was two people. Much like the Dread Pirate Roberts, “Noname” was a pseudonym that was handed down from one man to another. The second, and by far the most prolific of these two men was in reality Luis Senarens, a Cuban American man from Brooklyn, who was just sixteen years old when, in 1879, he took over writing a series of dime novels about a boy inventor and adventurer named Frank Reade.
If there is an established fact on the Brazilian fandom, is this: there was never a force so strong, all-encompassing as steampunk in our shores. The flamboyant army of corsets-and-goggles with their mindboggling variety of steam-powered infernal devices has definitely conquered the hearts and minds of the Brazilian fans and writers. After almost four years of activity, Brazilian steampunk can’t be considered just a fad anymore. We’re not in Kansas, Dorothy: we are in Rio de Janeiro, São Paulo, and several other big tropical cities which probably you’ve never heard of — but you will.
Beyond Victoriana 