Tag Archives: postcolonialism

Victorianism without Victoria: on Mexican Steampunk – Guest blog by Hodson & Translated by Miguel Ángel Manzo Martínez

Note: This article is also available to read in Spanish on El Investigador’s website / Este artículo está disponible para leer en español. Thanks go out to El Investigador’s Editor-in-Chief Araceli Rodríguez, and magazine writers Hodson and Miguel for their time and effort in getting this piece together for Beyond Victoriana.

There are many reasons why the Victorian era is considered the Golden Age of the British Empire. Not only the economic and social stability came at a time where social inequalities were as big as scientific advances, but the huge explosion of advances in production, communications and transportation allowed the existence of a global colonial government facilitated by the ability to improve the response time of all regional governments.

At a time when the great modern empires grew and spread across five continents populated by man, Victorianism quickly became the spirit of the time. The idea of progress and mastery of time through greater efficiency in transport and production was a constant among all the nations of the world, and those who had the power to launch big technology and conquest ventures, had secured a bright future in the international area.

The Victorian era was undoubtedly the light bulb that shines light upon this century. It was the time when big government combined a vision of the future and the present into an immediate moment that inspired prosperity and development.

For those living in First World countries, it is easy to imagine a glorious past that never ceased to be, and it is done through an alternate technological advanced reality. Whether it’s a world of steam or of world war, to imagine that moment of past glory is not a particularly difficult endeavor.

But I dare to say that for those who live this kind of retro-futurism from the Third World, must be a little more difficult to imagine a glorious past drawn from the very distant past of their own 19th century. Just remember that the Victorian era was the era of colonialism. The steampunk retro-futurism of the Victorian era in England is diametrically different from Latin American’s Victorian era, for example, at least conceptually.

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When Feminist Fashion Goes Couture: Anne Avantie, Indonesian Designer

“If I walk, I hope my footsteps won’t be erased just like that… I want many other footsteps to follow mine!” – Anne Avantie

Anne Avantie’s signature kebaya designs are growing in popularity as Asian fashion enters the global scene. Born to Chinese parents in Solo, Indonesia, Anne never had any formal training in fashion design, but always had an interest in the fashion world. Her love for fashion design started young, when she created and sold hair ornaments to her friends in elementary school. As she grew older, Avantie began doing costume design for her school events and other local events in Solo, and in 1989, she started her own company with only a rented house and two sewing machines. Her business soon boomed, however, with her specialization in her elaborately beaded costume wear and wedding gowns.

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