Tag Archives: Steampunk Hands Around the World

Steampunk Hands Around the World 2018 – Master Link List

Boosting! For the fifth year, the Airship Ambassador is hosting Steampunk Hands Around the World.

Check out the link list & follow along on social media all month long!

Airship Ambassador

Welcome to the fifth year of sharing the unity, camaraderie, and amazing creativity of our global steampunk community!

This year, we’re taking to the roads and rails, the seas and the air as we head around the world on a steampunk road trip!

Follow along here for the daily link updates.

Follow on Twitter, using the hashtag #SteampunkHands

Follow on the Facebook Event page

We recommend using a translation service, such as Google or Bing (and several others), to access those pages not in your native language.

The Firefox and Chrome browsers have a built-in, right click menu option to translate selected text of a page using Google Translate.

Begin your travels here!


February 1

Airship Ambassador – Welcome!

The Countess – Steampunk Hands Around the World Eads Bridge (YouTube)

The Countess – Steampunk Hands Around the World, The Eads Bridge, St. Louis, MO


February 2

Karen J Carlisle –

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Steampunk Hands Around the World: Making Life Better Giveaway! The Guns Above by Robyn Bennis

9780765388766

For the last week of our Steampunk Hands Around the World book giveaway series, let me introduce you to Robyn Bennis’s The Guns Above, a high-flying adventure full of wit, bravado, fancy clothes, and big explosions. A brief description:

They say it’s not the fall that kills you.

For Josette Dupre, the Corps’ first female airship captain, it might just be a bullet in the back.

On top of patrolling the front lines, she must also contend with a crew who doubts her expertise, a new airship that is an untested deathtrap, and the foppish aristocrat Lord Bernat, a gambler and shameless flirt with the military know-how of a thimble. He’s also been assigned to her ship to catalog her every moment of weakness and indecision.

When the enemy makes an unprecedented move that could turn the tide of the war, can Josette deal with Bernat, rally her crew, and survive long enough to prove herself?

“Steampunky navy-in-the-air military tale full of sass and terrific characters. Great storytelling. Loved it.” —Patricia Briggs

Click after the jump for details on how to enter! Thanks for allowing along, everyone, and hope you enjoy the rest of Steampunk Hands this month.

EDIT: Congrats to Connor Drexler as our winner!

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Steampunk Hands Around the World: Making Life Better Giveaway! Amberlough by Lara Elena Donnelly

9780765383815

Welcome to Week Two of our Steampunk Hands Around the World book giveaway series!

Next up: enter a world of spies, decadence, and revolution with Lara Elena Donnelly’s Amberlough. A brief description:

Covert agent Cyril DePaul thinks he’s good at keeping secrets, especially from Aristide Makricosta. They suit each other: Aristide turns a blind eye to Cyril’s clandestine affairs, and Cyril keeps his lover’s moonlighting job as a smuggler under wraps.

Cyril participates on a mission that leads to disastrous results, leaving smoke from various political fires smoldering throughout the city. Shielding Aristide from the expected fallout isn’t easy, though, for he refuses to let anything – not the crooked city police or the mounting rage from radical conservatives – dictate his life.

Enter streetwise Cordelia Lehane, a top dancer at the Bumble Bee Cabaret and Aristide’s runner, who could be the key to Cyril’s plans—if she can be trusted. As the twinkling lights of nightclub marquees yield to the rising flames of a fascist revolution, these three will struggle to survive using whatever means — and people — necessary. Including each other.

Combining the espionage thrills of le Carré with the allure of an alternate vintage era, Amberlough will thoroughly seduce and enthrall you.

“James Bond by way of Oscar Wilde.” —Holly Black

“Sparkling with slang, full of riotous characters, and dripping with intrigue, Amberlough is a dazzling romp through a tumultuous, ravishing world.” —Robert Jackson Bennett, winner of the Shirley Jackson Award and the Edgar Award

“An astonishing first novel!” —World Fantasy Award-winning author Ellen Kushner

There is also this incredible book trailer:

 

EDIT: Congrats to Elias Eells as our winner!

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Steampunk Hands Around the World: Making Life Better Giveaway! Steeplejack & Firebrand

steampunk-hands_making-life-better

Time for Steampunk Hands Around the World, the annual blogging carnival and celebration of the global community! This year’s theme is a very relevant one, and in participation, I’ll be running a series of book giveaways throughout the month (since, of course, reading widely across different cultures and fresh perspectives from marginalized backgrounds is one way we can imagine ways of making life better.)

This week, I’ll be giving away a two books: A.J. Hartley’s Steeplejack in hardcover and a special advanced reader’s copy of its sequel, Firebrand which will publish in June 2017!

Check out details about the giveaway  after the jump. You can also check out the Official Link guide to Steampunk Hands to follow what others are doing.

Edit: Congrats to Aaronious01 for being selected our first giveaway winner! Follow along the blog the rest of this month for opportunities for more books. 🙂

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#SteampunkHands – On Crafting a Subcultural Lifestyle: Objects and the Search for Home in Steampunk (Part 5)

The Airship Ashanti in the 2015 Internationa Steampunk Symposium. They were that year's winners of the Airship Games.

The Airship Ashanti in the 2015 International Steampunk Symposium. They were that year’s winners of the Airship Games.

A Genre for our Times: Living Steampunk in Pursuit of “the Good Life”, A Conclusion

During my extensive involvement in the steampunk community, I have contemplated the meaning of what constitutes a lifestyle and whether that coincides with the personal beliefs one holds. While I began this paper with the intention of exploring the separation of ideology with lifestyle, I also believe that people who are heavily involved in the steampunk community hold a specific worldview. In my interviews with members of the community, I came upon a dozen different responses to the question, “Do you think steampunks have a specific ‘mindset’?” Many vehemently rejected the idea that there was one common mindset (thus, hinting at the collective notion of respect for individual opinions and a general distaste toward imposing one’s opinion upon others.) Many other responses, however, incorporated the idea that steampunks are artists who prefer looking at the world more creatively than the average person. Artist Tamara Lavery mentions that, “I believe it is a very fertile mindset. Many of those involved are makers. Artists, crafts people, musicians,….while going to an event and purchasing something amazing made by another is mad fun, most of us are also happiest making or at least “modding” for ourselves.”1 Another steampunk, author Leanne Renee Hieber mentions the commodification of subculture in her response, but with an anti-commercial, pro-community spin: “I think there are common themes. Craft and maker culture as valued commodity (I consider myself a “maker” too, I make books). History is alive and re-imagined in us. Play, fancy, fantasy, adventure and whimsy are also a valued commodity.”2

In fact, what I found in common in many of these responses is how many steampunks link a “steampunk worldview” (if it does exist) to a set of materialist ethics with the world that emphasizes the imagination as a method to break away from normalized constraints of society. The nineteenth century, more than a common focal point of interest, is considered the nexus point of the standards of our modern world. Steampunks view the Victorian era as the beginning of the end with the tide of industrial, social, political and economic changes that directly changed our lives for the worst. By returning to the Victorian, the steampunk aesthetic movement both celebrates a historical era of change while also integrating anachronistic elements into history in the romantic hope of undoing the past to re-create a better present. The idea is speculative in design, but realist in execution. The steampunk aesthetic movement is one method in which people project their utopian ideals onto the everyday.

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#SteampunkHands – On Crafting a Subcultural Lifestyle: Objects and the Search for Home in Steampunk (Part 4)

ICON 2010

Photo from ICON 2010. Image Credit: J.M. Coen.

A Wandering Utopia: The Steampunk Convention

Note: A part of this essay section was previously published in my 2011 TempleCon convention report here.

Convention spaces provoke migration. They act as a Mecca for people of common means but uncommon interests, who engage in pilgrimages across the country to one destination in order to commune with each other. Convention spaces are also known in shorthand as the “con space,” a term that can allude to the Latin word contra (“to oppose, to argue against,” “pro or con”), to trick (“to con someone,” “the con game”), to illusion and mystification (“to confuse”). The term “con” when speaking of “convention” on the other hand, comes from the Middle English word connen, meaning “to study, know, or pursue.” Both divergent entomologies become relevant when describing a steampunk con.

Cons are understood as being a transitory form of escapism, where people enter from the mainstream world and are transferred into a heightened hyper-reality of Othered existence, before departing after a few hours or a few days to re-enter normalcy. At the same time, the convention space is nomadic, moving across city limits and state lines (and some, even, becoming virtual on the Internet)1. Sprouted by whims and fan passions, fan cons become hatched in backwater small towns and major metropolitan areas, each catering to the localized whims of the community’s populace. Cons, then, can be considered festive realms of liminality, a carnival space that Susan Stewart would identify as, “a reply to everyday life which is at the same time an inversion, an intensification, and a manipulation of that life, for it exposes and transforms both pattern and contradiction, presenting the argument and the antithesis of everyday life in an explosion that bears the capacity to destroy that life.”2

Of course, the concept of the fan conventions isn’t new and doesn’t pertain to steampunk subculture alone. My choice to include the con space as part of steampunk lifestyle, however, is connected to the increased attention by steampunk participants to the importance of holding a convention in their local community and the integration of convention-going with sociability for subculture participants. Moreover, unlike the assumption that these conventions are seen as breaks from the everyday, I argue that convention and event life in the steampunk community is seen not as an escape, but as a heightened utopian space that is reflective of community members’ everyday practices, interests and relationships.

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#SteampunkHands – On Crafting a Subcultural Lifestyle: Objects and the Search for Home in Steampunk (Part 3)

Lebanon County Historical Society's Stoy Museum replication of a Victorian Barber Shop. Click for source.

Lebanon County Historical Society’s Stoy Museum replication of a Victorian Barber Shop. Click for source.

Retro-Fitting the Technologies of the Self

I first heard of the Steampunk Salon through Meet-up.com, a social website. The NY Steampunk – Artists & Enthusiasts network was started in late 2008 and has over 600 members throughout the state, though a sizable number of them reside in New York City. Many of their events are based in the metropolitan area, from museum trips to picnics to community art projects, like arrangements for float in Coney Island’s Mermaid Parade. One of the consistent events is the literary salon that takes place in Midtown East, hosted at the business of Romain Pallardy, hair stylist. The pun on the dual meaning of “salon” sounds a bit cutesy to be coincidental, and steampunk in general has been known to create spaces with a cheeky wink and a nod.

***

Finding Romain’s Salon is a bit tricky; one cool fall evening, I arrived at a bustling city street in Midtown East and didn’t see a storefront, for the Salon lacked a street sign, in contrast to the flashy hotel logos and restaurants surrounding it. The plain-faced building squeezed in this ritzy area could have been another forgettable residential building; alongside the row of pearly doorbell buttons, though, it wasn’t difficult to spot the one marking Romain’s business. In neat ink penmanship beneath a strip of plastic was the word “Salon,” as intriguing in its simplicity as Alice’s bottles and cakes marked “Drink Me” or “Eat Me.” The doorbell’s built-in camera blinked upon pressing the buzzer; my face flashed back in miniature before I was buzzed in. I climbed a nondescript, narrow stairwell to the second floor and arrived at a simple office door labeled in black-lined gold lettering: “Romain Parllady: Salon.”

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#SteampunkHands My Favorite Things Giveaway: Clockwork Canada, edited by Dominik Parisien

Clockwork Canada book

 

Our third giveaway for Steampunk Hands Around the World, is an advanced reader’s copy of the upcoming anthology Clockwork Canada, edited by Dominik Parisien and featuring fresh new stories from fifteen Canuck authors. This anthology’s description is after the jump with details on how readers can enter.

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#SteampunkHands – On Crafting a Subcultural Lifestyle: Objects and the Search for Home in Steampunk (Part 2)

Victorian Carpenter's Kit

Victorian Carpenter’s Kit

“Home is a Woodshop”

Among my books on my self stands a French vodka bottle, sliced clean across the middle; this bottle I had cut myself using a diamond-edged rotary water blade. The process was not perfect, and chipped edges serve a cautionary purpose when I pick up the glass. A candle sits inside it, unlit, on my shelf, yet it nevertheless reminds me of the place where it was made.

***

In the shadow of the George Washington Bridge, I stood by the iron-barred gateway situated between two gray-faced, indiscriminate pre-war apartment buildings, dialing a number off my smart phone. An icy blast of wind coming in from the water cuts through my layers and my fingers tremble over the key pad. A warm, older voice answered, “I’ll be right up,” and in a minute, Stephen Ebinger, a broad-shouldered man with a peppery beard and Santa-Claus eyes, opened the gate. The stairs descended to the subbasement level and I teetered downwards precariously, clinging to the rust-stained railing. I followed my friend through the building’s back door into the basement apartment that serves both as his home, as a fully-equipped woodshop, and as the Steampunk Co-op in northern Manhattan.

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#SteampunkHands My Favorite Things Giveaway: Steeplejack by A.J. Hartley

9780765383426

For our second giveaway for Steampunk Hands Around the World, I’ll be giving one lucky reader an advanced reader’s copy of A.J. Hartley’s Steeplejack, which will be published this June from Tor Teen. This book has already gotten some nice reviews, and I’ve already shared some of my thoughts about it too in my recent podcast with Minorities in Publishing. After the jump is a brief book description, and how readers can enter.

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